OMNP review of the show coming next week. NYC is usually a ghost town during 4th of July weekend, this would be a good time to beat the crowds while everybody is at the beach.
The Master of the Blue Jeans is an old master for fashion week, and for fans of the late Baroque, a curious and incredibly talented portraitist of peasants.
OMNP takes a look at some of the selections from dealers at this years OM drawings week, including works by Pontormo, Parmigianino, and a v. important Gros.
OMNP reflects on the numinous power of the Northern Renaissance in a show of Jan Gossart at the Met, and its decscendence in the work of painter Joe Coleman.
The Frick Collection has been focusing on the art of Spain of late, with two complimentary exhibitions, “The King at War: Velázquez’s Portrait of Philip IV” and “The Spanish Manner: Drawings from Ribera to Goya.” These shows bring together some of the most important names from Spain’s grand lineage of painters. In a two part article, OMNP contributor Victoria Romeo takes a look at two tightly focused shows that imbue life into some old classics.
The Frick Collection has been focusing on the art of Spain of late, with two complimentary exhibitions, “The King at War: Velázquez’s Portrait of Philip IV” and “The Spanish Manner: Drawings from Ribera to Goya.” These shows bring together some of the most important names from Spain’s grand lineage of painters. In a two part article, OMNP contributor Victoria Romeo takes a look at two tightly focused shows that imbue life into some old classics.
William Blake, Peter Greenaway, and the greatness of the Renaissance came together in a train of thought over Greenaway’s “Last Supper” installation at the Armory.
OMNP takes a look at what’s new on the Old Masters market in NYC this Fall, with works by Poussin, John Currin, and Frans Francken II among others.
In this final installment from our three part study of Caravaggio’s life, OMNP takes a look at some of events and exhibitions surrounding the master this year.
Old Masters + New Perspectives’ Sarah Baumann takes a look at Sarah G. Austin’s interpretations of masterpieces by Ingres, Titian, and Holbein among others.
OMNP analyzes Francois Boucher’s tongue in cheek references to King Louis XV and Mme. Pompadour in two works recently at the Princeton University Art Museum
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