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Sarah G. Austin, "Portrait of a member of the Contarini family, (after Titan)," 1988, Reproductions, wood, Plexiglas, paint, 13 x 10 3/8 2 ? inches , image courtesy of the Pavel Zoubok Gallery Sarah G. Austin’s intimate reflections on Old Masterscontemporary connections + exhibitions + items of interest

The reunited Bouchers at the Princeton Art Museum A royal soap opera played out in art history: Francois Boucher’s overdoor panels at Chateau de La Muetteexhibitions

Albrecht Dürer, "Adam and Eve," 1504, Pen and brown ink and brown wash, with corrections in white, Signed with the artist’s monogram and dated at lower left, 1504, Collection of the Morgan Museum and Library Albrecht Dürer and “Defining Beauty” at the Morgan Library and Museumblair leake + exhibitions + interviews + items of interest + omnp contributors

Robert Campin, the Master of Flémalle, "Mérode Altarpiece," c. 1427, Oil on wood, 64,1 x 117,8 cm Metropolitan Museum of Art, New York Robert Campin, the Master of Flémalle (c. 1375–1444)netherlandish + renaissance + the new lives of the artists

"Belles Heures of Jean de France, duc de Berry," 1405–1408/9. Herman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416). French; Made in Paris. Ink, tempera, and gold leaf on vellum; 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm). The Metropolitan Museum of Art, New York, The Cloisters Collection, 1954: This is the exact text on this page written in a florid documentary hand by the duke’s secretary, Jean Flamel, identifying the owner of the manuscript, called a Belles Heures in one of the inventories of Jean de Berry. The English translation of the text is: “The Hours was made for the most excellent and powerful prince Jean, son of the king of France, duke of Berry and of Auvergne, count of Poitou, of Estampes, of Boulogne and of Auvergne / Flamel” The Limbourg Brothers and the “Belles Heures,” at the Metropolitan Museum of Artexhibitions + omnp contributors + victoria romeo

Lot 7, LUCA SIGNORELLI AND STUDIO CORTONA CIRCA 1450 - 1523 "THE MADONNA AND CHILD WITH SAINTS BERNARD(?), ANTHONY OF PADUA AND JOHN THE EVANGELIST(?)" circular, oil on panel, in an 18th Century Italian frame diameter 28 1/2 in.; 72.4 cm ESTIMATE 40,000 - 60,000 USD OMNP Auction Preview: Sotheby’s Old Master Paintings Sale, New York | 3 June 2010market


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